'Impressionism – Monet and Renoir Essay\r'

'Impressionism was the lift given to whizz of the most weighty movements in fraud history. It was the first of redbrick movements. Its aim was to achieve ever great instinctiveism by a detail study of tone and tinct and, by an exact r give noticeering of the centering write d have got f solelys on different surfaces. This bear on in colour and light was greatly influenced by the scientific discoveries of the French physicist ‘Chevreul’ and by key fruitings by Delacroix. Instead of painting sober shadows using mainly different tones of grey-haired and b wishing, the Impressionists- like Delacroix †realised that when an object casts a shadow, that shadow will be tinged with the complemntary colour of the object. They did not use firmly raddled outlines but instead applied paint in small brightly saturnine dabs, even in shadowy beas of their pictures. This lack of outline and multiplicity of small dabs of slight colour, when combined wih the impressi onists interest in speed effects of light, give their pictures a eonian air of movement and life, but as well as of Impermanence.\r\nThere was nothing as positive as a manifesto or even an agreed programme among the Impressionists. They were all individual artists take ining in their own way, developing their own style. They were, however, agreed in a general way on a number of points regarding assailable matter. Their work should be modern, observed with detachment, and not historic or emotional. The view being that the subject itself is not of particular interest, but the way in which the light and colour dress it, as described by Monet, â€Å"for me, it is notwithstanding the surrounding atmosphere which gives subjects their true foster”. The impressionist artists often painted in concert in small groups, depicting clear scenes on the banks of the Seine and in the place and recreation places of the middle classes around Paris. The washup place and floating resta urant at La Grenouillére provided the location for a number of sketching trips for Monet and Renoir.\r\nIn the later eld of Claude Monet’s life, he devoted himself to creating a beautiful water tend at his home in Giverny, and painted this tend continuously. ‘Water Lily Pond †Harmony in kelvin’ is one of the umteen paintings of his garden and really epitomizes the characteristics of the Impressionist style. The painting depicts a Japanese style bridge(which he designed himself) with a small pond, largely cover in lilies, running underneath it. Monet had a huge collection of Japanese prints, with many of the plants in his garden being ones that he saw in these prints. It is quite practicable that this painting was inspired by one of these prints.\r\nIn the painting, the weeping willows in the context are reflected in the water surrounded by the lilies. Although Monet loved plants and flowers and collected rare species, he was not fire in distingui shing them in a painting. It was their reflections in the water which interested him. The surface of the painting is a abounding carpet of colour, with brush strokes of yellow, pink and lilac-colored woven in with the shimmering green of the plants. The colors reflect a brilliant sunlight with the flowers indicated by blobs of white tinged with yellow and pink. He painted this view of the bridge from a small boat he unploughed moored for painting the water.\r\nAuguste Renoir (1841-1919), painted ‘Luncheon of the boat Party’ in 1881 and it marks the end of his Impressionist phase. The painting is one of his brave out in an Impressionist style and truly captures the concepts and styles native to the movement. Soon after, he and Pissarro would disport from the ideals of Impressionism and change the course of their art. The scene is redact in a restaurant at the riverside. This was a favourite spot for boat enthusiasts and their girlfriends. It is the end of the lu nch and the remains of the food for thought and drink are on the table. al unneurotic appear to be enjoying themselves after the ride expedition.\r\nThe composition of the picture is linked together by the interchange of glances among the members of the group. The girl in the centre leaning on the school leads the eye to the three on the right. A relationship of some kind seems to be suggested by the artist. Among the group is the actress Ellen Andrée, who posed in ‘Absinthe’ for Degas. The woman on the left side with the dog is Aline Charigot, Renoir’s future wife and favourite model. The figures are posed in a natural manner and the composition is open, so the spectator feels part of the group.\r\nBoth Monet and Renoir, were two of the pencil lead members of the Impressionist movement, both epitomizing the ideals and characteristics of Impressionism in their art work. With the examples discussed above, the brushwork and colouring styles of the Impress ionists are clearly shown in Monet’s ‘Water Lily Pond-Harmony in Green’. Equally significant, the subject matter and cognitive content agreed upon by the members of the movement, can be seen in Renoir’s ‘Luncheon of the boat Party’, the painting being absolve of emotion, historical reference, it is viewed with detatchment and depicts the modernity of the time. Personally, I suppose both Renoir and Monet to be some of the superior artists of their time, adopting the different styles and establishing Impressionism, they were truly at the cutting edge of the movement. With all its characterists of the movement evident in their work, they are the perfect representation of the Impressionism.\r\n'